I am always learning from my writing. I’m now most of the way through the revision process on Pinion, f/k/a Tourbillon.
The rough draft, written last fall, was 199,400 words long.
On 3/4 I did a close read of it, editing as I went along. I finished that on 3/10. The main purpose of that draft was to get the book firmly inside my head. The manuscript stood at 198,800
3/12-3/13 I did a pass for deep, hard cuts at the scene and sub-scene level. With the book in my head, I could much more effectively judge where certain elements could be cut. This was pretty difficult, as Pinion has six point of view characters, with intertwined plot arcs. So cutting in one place often created structural, plot or continuity problems elsewhere. That got me down to 168,800.
3/14-3/18 I did a very deep line edit. This involved very slowly going through everything post-cut, as well as back to the prose in each phrase and sentence. This wasn’t as conceptually difficult as the previous hack-and-slash revision pass, but was much harder work, because of the intense attention to detail. That got me down to 160,700.
Tonight and tomorrow I’ll be working on the fix-it notes scattered through the manuscript from the previous three passes, as well as writing the two new scenes necessitated by the large-scale cuts — continuity bridges to account for deleted action which advanced the plot. My (quite reasonable) goal is to have it in to
By the beginning of May, I’ll get change notes back from
After that, I’ll see it on copy edit (maybe fall, 2009), hardback galleys (maybe late fall, 2009) and mass market paperback galleys (maybe fall, 2010).
So, counting the rough draft, before this book is done I will have worked through it nine times.
And people wonder why I generally don’t read my own work in final published form…